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Cigarette smoke and long conversations filled this house Guy clark desperados waiting for a train youtube meet sharp wit, beautiful words and cruelties, ice clinking in the glasses. There was much complication and pain in Guy's life, as in all lives. But even as he seemed at times to drown in his own difficulties, he turned hurt to song. Later, I came to know Guy as an adult. After his concerts, we would retreat to one of the great hotels of Texas, The Driskill or the Menger, talking, laughing, sharing our pain, staying up all night catching up. He encouraged me in writing, and taught me to live as an artist — with passion — loving and creating without measure or fear.

When I studied literature at Yale, my professors transmitted the notion that the green hills of England and the streets of New York were the subjects worthy of great writing. But I knew differently, because I had Guy. I knew that the parking lot behind a Texas bar was art: She always fascinated me as a child because she had a wooden leg, which the doctor had amputated on the kitchen table when she was She was a bootlegger and ran the Clark Hotel, where old men came to live and often stayed until they died. Jack was her boyfriend. I had seen the "old men with beer guts and dominoes, lying about their lives while they played.

I will meet Guy's sisters in June, in Rockport, in the house where his parents lived, and Guy's grandmother before them. We'll eat the shrimp and hot sauce he loved, and watch the boats on the water.

Guy Clark-Let Him Roll, Let Him Roar

I'll remember him as a man I loved, as will they. Over the years I would absorb cladk music so completely, the songs would naturally find their way to my guitar. It was a time when country music needed to redefine itself. The new music represented Guy clark desperados waiting for a train youtube meet artists mert Garth Brooks, began pushing the envelope of country music and what could be done in a live arena. Like many others, Clark began swimming upstream into more intimate, stripped down recordings and performances. When Garth Brooks was crashing his guitar in the fog of dry ice roaming the stage under blue-lights, Clark was sitting down, embracing his guitar with small audiences exchanging acoustic jams on some of the finest songs ever written.

Before Guy Clark, there was no Americana music. His Sugar Hill recordings including Old Friends, Boats to Build and Dublin Blues began the growing trend toward live-in-studio recordings with few effects or sweetening from the sound engineer. What resulted was music that felt like he and his band were playing in my kitchen. It was unique in its simplicity. The Sugar Hill sessions laid the foundation for Americana music. Today, the common language of young and old Americana artists is that same upfront, stripped down, live-in-the-studio sound.

The truth is, the older you get, the harder it becomes to stay awake to the moment. Pains, regrets, grief, and loss can easily overwhelm. His are the kind of songs that make getting up and facing each day with compassion and humor something I can do. His songs-some drawn from his childhood, some from his wife, Susanna, who died insome from simple humorous observations and, of course, some about Texas food-were unsentimental but so romantic within his own stark reality. The title chorus line was enough to create a picturesque song. His songs to Susanna were epic, honest and moving. But, the song finds its way to expressing his love for his wife.

He sees the love they shared years later, in the reality of an angry moment. Today, I spend time taking care of year-old man. He sits at the kitchen table and listens as I sing songs for him. As grows into a man, he finds the faith to believe in himself. He listens to each word. He is a veteran of World War One of the heroes of this country.